If you follow the ongoing debate around repatriation and restitution of stolen art works especially from the Bini Kingdom, one...
Created during the 2020 Artist in Residence program and as part of the “What You Mean to Me” exhibition, the...
Tall, hulking with a distinctive voice, he was a kind hearted gentle giant with a warm heart and genuine smile who lived to extend the boundaries of literature without seeking profit or self-aggrandizement. Nnorom was always reaching out, always welcoming, always hosting. Every visit to London was an opportunity to share and commune with Nnorom.
Victor Ehikhamenor paints to music. To watch Victor Ehikhamenor at work is to be opportune: to wake up at dawn...
It is a warm Saturday afternoon and Victor Ehikhamenor, artist, writer and photographer is smiling. His round face is cherubic...
Nigerian multimedia artist, photographer and writer, Victor Ehikhamenor, has been named a member of the 2021 Caine Prize Judging panel....
The first time an artist and a liquor company collaborated on a bottle was in 1985. Absolut was a Swedish...
“Apparitions of faces in a crowd Petals on a wet black bough” – Ezra Pound How does one paint a...
Lagos, Peckham, Repeat: Pilgrimage to the Lakes, an exhibition featuring Nigerian artists and their counterparts in the diaspora will take...
St. Paul’s Cathedral, London, has today unveiled the bold new artwork Still Standing by Nigerian-born artist, Victor Ehikhamenor, on display...
In Africa, only a glutton feasts alone. That truism has been highlighted in stories and myths across the continent from...
Her experiment anchors Folakunle Oshun’s words in his introduction that “at the heart of the exhibition is an exploration of the complexities of shifting notions of home and identity.”
The “Lagos, Peckham, Repeat: Pilgrimage To The Lakes” was a reminder that the immigrant is often no more than a tortoise and no matter how far the journey, he or she will always bear his or her home on her back.
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