Following news that Scotland is set to return a Bronze head stolen from the Benin Kingdom, thelagosreview.ng spoke to Victor...
Nigerian art has been missing a critical element, sculpture has been relegated and Rele has opened up a critical conversation
In our new series in which writers and creatives of various stripes share with us their anxieties and fears regarding...
The Lagos Biennial has partnered with the renowned Sotheby’s Modern and Contemporary African Art Auction in a remarkable move towards...
An array of local and international guest writers and artists will light up the maiden Edo International Book and Art...
1. Favourite book ever: Stars Of The New Curfew by Ben Okri 2. Why?: The stories are beautifully raw and painfully digestible. 3. Last...
National Museum of African Art celebrates Nigerian culture and creativity with +234 Connect Festival
The Smithsonian’s National Museum of African Art will host +234 Connect, a unique five-day cinematic and exhibition experience celebrating the...
Filmmaker and Photographer, Dafe Oboro and Artist, Writer and Researcher, Belinda Kazeem-Kamiński, have emerged winners of the Access Bank ART...
Peju Oshin’s debut at the Gagosian may have broken footfall records for an opening night but its relevance lies beyond attendance numbers. It lies more in the urgent conversations it has managed to open up around issues that resonate in contemporary diasporic discourse.
Retro Art Africa, the Abuja based boutique art gallery run by Dolly Kola-Balogun has made a splash in New York...
Art X Lagos, which has been on since November 4 comes to an end today. The international art fair featured...
The Lagos Review was launched, formally, one year ago, on September 1, 2019, even though we had been teasing and...